Low coffee table designed by Nucci Valsecchi for Aldo Tura in the 1970s, mod: 3000D of the Tura Archive, crafted in parchment, or goatskin, hand-dyed in two distinct tones: a light, warm, and luminous finish for the main surface, and a darker, almost burnt parchment for the recessed central geometric detail.
The visual effect is remarkable: the contrast between the two hues creates a restrained yet powerful graphic motif, revealing the designer’s refined compositional sensibility.
The entire volume rests on a recessed base that visually lifts the top, giving the piece an almost sculptural lightness despite its solid and compact presence.
The perfectly balanced proportions make this coffee table suitable for both classic interiors and contemporary spaces, where it can serve as a discreet yet sophisticated focal point.
Aldo Tura is a singular figure in the landscape of twentieth-century Italian design, renowned for his obsession with materials and his continuous experimentation with finishes and surfaces. His work sits at the intersection of auteur craftsmanship and high-end industrial production, with a particular inclination toward complex and highly refined techniques, including the masterful use of parchment, often applied and hand-dyed, as in this case.
Every piece signed by Tura is the result of a meticulous process that requires time, precision, and an exceptional aesthetic sensitivity.
This coffee table is an emblematic example: elegant and essential, yet at the same time material-rich and sensual.
The surface retains the full richness of the original parchment and subtly conveys the passage of time. Tura’s design language here is expressed through formal simplicity and material refinement, achieving a perfect balance between rationalism and decorative expression.
Pieces like this, authentic and well preserved, are increasingly rare and sought after today, featured in the most discerning collections and in interiors where design engages in dialogue with the history of Italian author furniture.
A quiet yet eloquent work, speaking to those who know how to recognize beauty in details.
The table is in excellent original condition. The parchment surface is intact, with light and even signs of age consistent with its period, such as minor surface micro-scratches and a subtle natural patina that enhances its authenticity. There are no breaks, lifting, or visible signs of restoration.
The base is solid and stable. Overall, the piece fully retains its material charm and is ready to be placed in both historic and contemporary interiors.
Product Name: Nucci Valsecchi coffee table for TURA Milano 1970 Mod 3000D
Designer: Nucci Valsecchi x Aldo Tura
Year of Design: 1960s
Style: Italian decorative modernism with rationalist influences
Primary Materials: Parchment (goatskin) hand-dyed in two tones, wooden base
Distinctive Design: Light parchment surface with recessed central geometric insert in dark parchment, recessed base that visually lifts the volume and lightens its presence; measured and graphic chromatic contrasts
Dimensions: Length 105cm | Width 105cm | Height 36cm
Comfort: Optimal proportions for living spaces; functional as a coffee table or accent piece
Typical Use: Central coffee table for living rooms, reception areas, or refined interior design settings
Design Icon: Emblematic example of Aldo Tura’s material-driven approach; a demonstration of his mastery in the use of parchment and sophisticated artisanal finishes
Versatility: Suitable for both classic and contemporary interiors; integrates elegantly into residential spaces, luxury retail environments, or boutique hotels
Current Condition: Excellent original condition; intact parchment surface with light signs of age such as micro-scratches and even patina; solid and stable structure with no lifting or visible restorations
Additional Notes: Please note that this object is in excellent vintage condition. Minor signs of age may be present and do not affect its functionality.
Aldo Tura (1909–1963) was a renowned Italian designer and craftsman known for his contribution to twentieth-century design. His career focused primarily on the production of furniture and decorative objects, and he founded the company “Tura Milano,” which became famous for creating pieces of exceptional quality and distinctive style. Tura’s production ranged from furniture to smaller objects such as trays and lamps, often featuring the use of precious materials like parchment, leather, and brass. His designs are celebrated for blending classical elegance with modernity, with particular attention to artisanal detail. The 1960s were a significant period for Aldo Tura, and many of his works from that decade are now highly sought after by collectors and vintage design enthusiasts. His work helped define Italian style in furniture design, and his legacy continues to influence the world of design today.
Nucci Valsecchi was an Italian designer active mainly during the 1970s, known for furniture and decorative objects that combine refined craftsmanship with a glamorous Mid-Century Modern and Hollywood Regency aesthetic. Her work includes lamps, tables, consoles, and accessories characterized by the use of metal finishes such as brass and chrome, clean yet sophisticated lines, and a strong decorative presence that reflects the spirit of Italian design of the period. Within this cultural and professional context, she collaborated with Aldo Tura, sharing an affinity for elegant materials and artisanal experimentation, and with Willy Rizzo, with whom she was closely connected during the 1970s, contributing to a design language marked by luxury, modernity, and an international outlook.